Vivian C. Marthell
Co-Director, inkub8, an open-share collective


Solo Exhibitions
2000   Harwood Art Center, “Skin Job,” Albuquerque, New Mexico
1999   lab6, ”Geneticals,” Miami, Florida

Collaborative Installations/Performances
2006    Florida International University, VH-100, “Falling UP,” Miami, Florida
         
   bedART, sleepTalking: gender dreams, Nash Hotel, South Beach, Florida
         
   Circuit Productions, “evolution of culture,” Miami, Florida
2004   
 .boxspace, “Fleshroom,” Miami, Florida
          
  Florida International University, VH-100, EXIT: this way out? Miami
2002  
    Motel Show, “Between here and somewhere else,” Miami, Florida
2001   
   Visions Gallery, “Mundele’s Leap of Faith,” Albuquerque, New Mexico
2000   
  lab6, “monkeyboy and the parallel bio-narrative,” Miami, Florida
1997  
   Experimental Art Lab, “Random Perceptions, Experimenting with Chance,” Miami Florida
            Urban Aborigines, “Creating Organic Diasporas in a Mechanistic World,” Dopico-Lerner studios

Group Shows
2003   Wild Seduction Gallery, “R.D.A-Ritual Drum ANALysis” performance, Miami Florida
2002   Gallery of Contemporary Art, University of Colorado: “Café II,” Colorado Springs, Colorado
         Fred Snitzer Gallery, “No Show,” Miami, Florida
        Tropical Park, “Arts to Nature,” Miami, Florida
2001  PS 742, “Cuban Geisha” performance, Miami, Florida
        Hearst Gallery, “Borders to Perimeters,” Denver, Colorado
        lab6, “Intimate Addictions,” Miami, Florida
        Emanations Gallery, “Las Malcriadas, Coloring Out the Lines,” Santa Fe, New Mexico
        Harwood Art Center, “Bittersweet,” Albuquerque, New Mexico
        2000   PS 742, “En Mi Barrio No Se Esconde La Fe,” Miami, Florida
        Magnifico Art Space, “Spice”, Albuquerque, New Mexico
       
 Windows project, site-specific installation, downtown Albuquerque, New Mexico
       
 Cafe Neuralgia, from “appropriating the real” Miami, Florida
       
 Broman Fine Art, “Arte Actual,” Coral Gables, Florida
1999  Lab6, “Postmodern Tribute to Babalu Aye,” Miami, Florida
        United Arts Council, Village Gallery, “Womanscape,” Naples, Florida
1998   Experimental Art Lab, “Homenaje,” Miami, Florida
         Box, Forum for the Arts, 360˚, Miami, Florida
        Pedestrian Gallery, “Toe Five,” Jacksonville, Florida

1997  Colombian Consulate, “Dialogo 1,” Coral Gables, Florida
        
 Miami Dade Community College, “Herencia Hispana,” Miami, Florida
      
   B.R.A.C. group show, Mexican consulate, Miami, Florida
      
   International Association of Human Rights Agencies, “Pathways to Inclusion,” Miami, Florida

Reviews
2002   Miamiartexchange.com, “Naturally,” aurthor: Daniel [Joel Weinstein]
          Arte al Dia, “Focus on Miami,”aurthor: Milagros Bellos          

2001   The Albuquerque Journal, “’Our Lady’”Artist Backed” author: Joseph Ditzler
         The Albuquerque Journal, “’Our Lady’”Controversy” author: Joseph Ditzler
          Alibi, “Between Two Worlds “  author: Steve Robert Allen
          Miami New Times, “hard eye candy,”  author: Alfredo Triff
          Street, they’re back,”author: Damarys Ocana
          El Nuevo herald, “adicciones intimas”, authorJose Antonio Evora
         Street, “do it yourself”,author: Damarys Ocana

2000   Art Nexus, “CurrentArt,” author: Eugenio Espinoza
        
  Critique: ritual of urban/aborigines, author: Alfredo Triff,
        
  El Nuevo Herald, “Cafe Neuralgia,” author: Olga Connor
        
  Miami New Times, Avant-Garde in Little Havana, author: Alfredo Triff

1997   Art America, Aborigenes Urbano, author: Jorge de la Fuente
        
  Critique: Urban Aborigines, creating organic diasporas in a mechanistic world, author: Orlando j. Garcia,


Published
2004   Miami New Times, “From Exuberance to Meditation”
          Miami New Times, “This Ain’t No Dinner Party”

2003   Miami New Times, “About the District”

2002   Miami New Times, “Lust for Erotic Life”
         
 Miami New Times, “Expanding Space”
        
  Miami New Times, “Status Anxiety”


Lectures/Talks
2004   .boxspace, “It’s My Fucking Idea!” component of Fleshroom

2002   National Association of Latino Arts and Culture, “The Working Artist/Strategies for Survival’

2001   University of New Mexico, “Art Activism”
         University of Miami, “The Artist and the Institution”


Residencies
2005   Bio-art residency, cell tissue growth, SymbioticA, University of Western Australia at Perth

2003   R.D.A. -Ritual Drum ANALysis, Sound Art Workshop, South Florida Composers Alliance, Miami, Florida

2000   Urban Aborigines, transcultural agency in a techno-centric world, Working Classroom, Albuquerque,     
New  Mexico

00-01Art program developer, Working Classroom, Albuquerque, New Mexico
BACK